Sunday, October 24, 2010

The Vampire Diaries: Brave New World (Season 2, Episode 2)

There is something peculiar about the second episode of the second season of The Vampire Diaries. Perhaps it is the sense that months, not hours, have passed since the smashing premier. Whatever the case, the plot is very Vampire Diaries: as heroine Elena and her best friend Bonnie set up a Mystic Falls carnival, their friend Caroline wakes up in the hospital as a vampire. Meanwhile, vampire brothers Stefan and Damon check out potentially paranormal dudes Mason and Tyler. Since this is such a character driven episode, I’ll comment on each character’s journey.
Elena is remarkably composed considering her brother Jeremy died in front of her only the night before. Granted, he came back to life thanks to a magical ring, but she didn’t immediately know that. Her complete denial (she refused to discuss anything supernatural) is believable, but her ability to focus is not. What works is her eventual emotional disintegration. She refrains from confiding in her boyfriend Stefan (gasp!) and states that recent events were nobody’s fault. Hanging over her statement are the facts that recent disasters were indeed individuals’ faults and that her boyfriend’s vampiric nature compounds matters.

Bonnie goes from cracking lines about Caroline killing them if the festival is a failure and being out of team Jacob t-shirts to watching her friend turn into what she hates most. After Caroline kills Bonnie’s new crush, Bonnie nearly kills Damon with her witch powers. While her reaction is irrational (“everything is Damon’s fault”), it is a tragically believable demonstration of her festering hatred against the vicious Damon.
Jeremy is understandably confused and angry after Damon snapped his neck. At first, against Stefan’s advice, he confronts Damon and is bested. However, by the end of the episode, he nearly turns the table on Damon. Last week, his conversation with his vampire hunting uncle foreshadowed a Jeremy who had vampire hatred in his veins. Instead, he admits that killing Damon and other vampires won’t change anything, and that his attempt to kill Damon is more due to an identity crisis than vengeance. [Damon is impressive. Both men he’s killed (Alaric and Jeremy) seem to think of him as an okay dude.] Their conversation is actually quite funny and poignant. This scene demonstrates one aspect of the show that viewers appreciate: characters demonstrate unexpected maturity. Though this can be a contrivance (no one kills Damon because they are “better than that”), it is something lacking on television that people crave.

Tyler confesses his anger management problems to his curious uncle Mason. Though Mason is still not particularly compelling, I like Tyler. He initially came across as a stereotypical jerk, but soon genuine emotions surfaced. Mason’s mystery, lemur-like acrobatics (his excuse: Brazilian martial arts), and interest in a family heirloom pique Tyer’s interest. He is aware of vampires though he claims not to believe in them, so his reaction to the vamps in Mystic Falls should be intriguing.
Caroline is the heart of this episode. Her transformation is marvelous. “What’s that smell?” she asks the orderly when she wakes up hungry. (Blood bags.) Sunlight stings, as does her vervain (anti-vampire herb) laced necklace. Her face transforms in painful and terrifying ways. In these eerie scenes, Caroline is in turns repulsed, famished, overly peppy, and anguished. She discovers her ability to brainwash, and instructs one victim to attribute her bite marks to a kinky husband. In true Caroline style, sporting fabulous heels, she faces her former abuser Damon, knocks him down, and tells him, “You SUCK.”
Her all-American boyfriend Matt is, of course, in for a ride. Though he is one of two boyfriends in this episode who sneaks into his girlfriend’s bedroom, he earns points by immediately confessing his love for Caroline. After so many doubts on his end, as they embrace, Caroline is the concerned one. But thanks to Stefan the vampire sponsor, she is able to control her urges to drain him dry. It’s a relieving scene for a somewhat rocky couple.

Both Damon and Stefan seem to have miraculously recovered from the previous day’s train wreck. Damon is still fixated on Elena. He asks if he’s in her every conversation; unbeknownst to him, she has forbidden anyone from mentioning his name. He is also gung ho about ending vampire Caroline. He underestimates her and asks if anyone remembers the “tragic story of Vicki Donavan,” the last young lady turned vampire. (Stefan staked her when she tried to eat Elena and Jeremy.) Damon goes in for the kill, causing an intense but ridiculous moment between him and Elena as she leaps in front of Caroline. Though Damon is flippant about what he’s done to Jeremy and the poor man Caroline eats, he seems more miserable than dangerous in this episode.
To raise his spirits, he becomes hilariously obsessed with Mason and Tyler Lockwood. He and Stefan have a brilliant conversation as they, two vampires, observe Mason and Tyler, two werewolves, arm wrestle. Damon volunteers Stefan to go against Mason. Stefan lets him win, but notes that Mason was stronger than a human. Damon: “If they’re not vampires, what are they?” Stefan: “Ooh, maybe they’re Ninja Turtles.” Damon: “You’re not funny.” Stefan: “Zombies. Werewolves.” Damon: “No comedic timing, at all.” (Incidentally, Damon refers to them as Combat Turtles, and Stefan corrects him. Could Damon be unaware of the Ninja Turtle phenomenon?)


This brings us to Stefan, who is behaving rather bizarrely. There appears to be three possible reasons for this change: 1) he’s drinking human blood again; 2) Katherine’s appearance has shaken him; 3) the writers want him to have more “personality.” The new Stefan is all good, but I miss calm Stefan. He jokingly calls Elena a slave driver, describes Jeremy’s snapped neck as “a little bit of an ordeal,” and concludes the episode by pulling an Edward Cullen: he sneaks into Elena’s bedroom and whisks her into the air. (They kiss at the top of a ferris wheel.) He also contradicts Elena’s comment about Katherine’s ill deeds, “She’s doing this to me, isn’t she?” He responds, “Actually, she’s doing this to me.” This may be an attempt at comfort and he may be right, but disagreeing with Elena and directing attention to himself are uncharacteristic. Absolutely in character is his counseling of Caroline. That very sweet scene indicates that he is convincing both her and himself that control is possible. However, it makes one wonder if Stefan is taking on too much. He is now determined to protect Caroline, her potential victims, Elena, and Jeremy.
Brave New World ends somewhat ominously. There is no twist. Instead, Elena asks if things are going to get any easier. Stefan replies, no, they aren’t. This episode felt off, but perhaps its intent was to unsettle.

The Vampire Diaries: The Return (Season 2, Episode 1)


One of the best episodes yet.
Disclaimer: though The Vampire Diaries is neither gritty nor grounded solely in realism, though it includes cliché lines and a ridiculously attractive cast, its plotting, consistency, and heart vault it into the realm of delightful junk food. Tastes like candy.
The second season of the CW show The Vampire Diaries got off to a roaring start. Based on the books by L. J. Smith about a teenage orphan Elena Gilbert (Nina Dobrev), her vampire boyfriend Stefan (Paul Wesley), and his wickeder vampire brother Damon (Ian Somerhalder), the first season gained a rabid following.
Not a minute has passed between the lauded finale and its premier, the title of which refers to the return of Elena’s vampiric double Katherine. Elena discovers her uncle John (David Anders) -- and biological father, too difficult to explain -- bleeding from his stomach and missing several fingers. As she calls 911, the reason for these wounds, Katherine, slinks around Elena and out the door. Upstairs, Elena’s brother Jeremy (Steve McQueen) awakens after had overdosing with vampire blood in his veins in order to become a vampire. This pivotal moment precedesThe Vampire Diaries title.
Jeremy is disappointed to discover that he is still human. In a clever twist, the vampire blood actually healed him of the pills’ effect since he didn’t ingest enough to die. Stefan, old enough to be Jeremy’s great, great, etc. grandfather, is stern (grabs his face and slaps him) when he realizes Jeremy’s intent.
At the hospital, Elena’s high school friends Bonnie (Katerina Graham) and Matt (Zach Roerig) await Matt’s girlfriend Caroline’s (Candice Accola) fate after a car crash. Somewhat soap-opera-y music and acting ensues, until Damon enters the scene and comforts Caroline’s mother Sheriff Elizabeth Forbes (Marguerite MacIntyre). Initially befriending the vampire hunting sheriff to protect himself from detection, Damon’s hugs and words of wisdom imply that he may finally have crossed the line between insincerity and genuine concern. He even feeds Caroline his salubrious blood, out of either goodness or the desire to impress Elena.
Damon shows vulnerability as he tells Elena that their kiss (featured in the previous episode) may not have meant anything to her, but he can’t forget it. Elena is clueless, for Damon in fact smooched Katherine, his manipulative ex-girlfriend and vampire sire. His realization is priceless.
Meanwhile, Katherine plays Stefan a visit, again pretending to be Elena. Stefan figures her out in a split second, puts on his scary vampire face, and attacks her. John’s assault gave Stefan a heads up, but Damon had an entire conversation and makeout session with Katherine without suspecting anything.
When Damon and Elena return, Katherine easily throws Stefan to the floor and escapes. Damon masks his fear with a few insouciant lines about what happened when he thought Katherine was Elena: “To risk creating a frown line encroaching on a very crowded forehead, we kissed.” Stefan, of course, is not pleased, but Elena says they can fight another time. Stefan wants to divine Katherine’s plan, but Damon says that ignoring her will draw her out.
Thanks to Damon’s blood, Caroline wakes to utter the words, “Jersey Shore is on!” Matt and Caroline kiss, Bonnie tears up, and they giggle and profess their love for one another. (The scene is actually adorably believable.)
At the Lockwoods’ wake (or gathering, judging by everyone’s attire), Caroline Lockwood is furious at Sheriff Forbes about her husband Mayor Lockwood’s death. The sheriff notes that the mayor helped John carry out his “idiot plan,” which involved downing vampires with a special device and then burning them. The mayor and his son Tyler (Michael Trevino) were affected in the process, and the mayor was thrown in with the vampires.
Tyler greets his dull uncle Mason as “the black sheep,” which means, considering his relatives, he is either terrible or wonderful. Luckily for vampires, the Lockwoods find it necessary to meet their guests at the door, and Tyler also invites Katherine in, thinking she’s Elena wearing an inappropriately sexy outfit. Katherine gives an evil little smile.
Elena and Stefan visit John in the hospital. He is miraculously alive but understandably startled by Elena’s visage. Elena assures him she isn’t Katherine and asks him what he knows. He claims ignorance and refuses to answer questions in Stefan the vampire’s presence. Elena storms out, but now that Katherine’s here, Stefan isn’t messing around. He threatens John with a fate worse than death: he will turn him into a vampire if he doesn’t leave town. Stefan voices his own self loathing when he tells John he will “watch him hate himself more than he already does.”
Back at the Lockwood’s, Bonnie (who is a witch, by the way - minor detail) and Damon jab at and threaten one another. Their conversation ends when she, cutely cocky with her improving witch powers, gives him a vampire headache. She then runs off to complain about Damon to Katherine who pretends to be Elena by overemphasizing that Damon is “awful.” But when Bonnie touches Katherine, she senses something and runs off to call Elena. Elena’s response: “I know I’m late.” Gasp!
Katherine introduces herself to Bonnie before choking her and demonstrating that her magic skills won’t work on her. Bonnie impresses Katherine by blowing the door open, and a very serious Stefan appears telling Katherine to back off. Stefan asks what game she’s playing; Katherine asks, “Why, do you want to play with me?” He replies, “How can I play if I don’t know the rules?” According to her, there are no rules.
Katherine observes that the Lockwoods got rich by appropriating vampire land. She flirts with Stefan and notes that his girlfriend is her twin. He says he’s not Damon, he hates her, threatens to tear her heart out – the usual ex behavior. She stabs him in the gut and states that hate sounds like “the beginning of a love story.”
Inside, Damon spots Elena and morosely says that he’s “walking on sunshine.” He explains the “doppelganger hijinks” the previous night and observes that Elena is worried Katherine will send him off the deep end. He ominously adds, “I don’t need Katherine to do that.”
Jeremy and Tyler commiserate about dead fathers, though Tyler tragically (and correctly) notes that his father was a dick. Jeremy agrees. They bond. Mason interrupts their illegal drinking but doesn’t seem to care.
Elena finds Stefan and tends to his wounds, prompting Damon’s “cover up, Fabio.” Damon switches from insecure (he warns Elena that Katherine is trying to steal her man), to self-hating (he wants Stefan to fight him), to loving (“our bond is unbreakable”). Of course, he hides all of this beneath his playful façade. Either clever or in denial, Stefan says that Katherine did not come for him. He also remarkably acknowledges that Damon kissing Elena is a sign of humanity, and he doesn’t want Katherine to destroy that by playing them against each other. Damon’s expression: inner turmoil.
John gives Jeremy a “great responsibility” speech, saying it’s inevitable that his family’s legacy of vampire hatred will take over. He also states that the rings he and his deceased brother inherited couldn’t save Jeremy’s father because his death wasn’t supernatural.
Corny music plays as Tyler breaks his father’s photos, espouses hatred (I can hardly blame him for that), and pushes his mom. Mason tackles and calms him. Tyler says he doesn’t know why he loses it and doesn’t want to be that way. Mason tells Tyler that there he has learned to control the “Lockwood curse.”
Katherine visits Damon for a goodbye kiss. Damon walks away, but Katherine tackles him and begins ripping the clothes off her “sweet, innocent Damon.” Clearly, she loves corruption and can’t take no for an answer. Damon gives in but takes a “breathing pause” to ask a question. He is willing to forget 145 years of obsession and pain to start again with her: “that’s the beauty of eternity.” She responds to this desperate plea by saying that she knows the question and answer: she never loved him, only Stefan. Dramatic music plays; Damon’s expression is heartbreaking.
Damon shows up drunk in Elena’s bedroom just doing his “part in the neighborhood watch,” once again proving he has the best lines. He proceeds to echo numerous fans (and Katherine’s comments to Stefan) by telling Elena that he knows there is something between them, but she denies this. He gets pushy and tries to kiss her, but she inadvertently says a most dangerous phrase: she loves Stefan, and always will. Jeremy enters, and Damon reminds him that he wanted to be a vampire. In an attempt to hurt Katherine, Stefan, and Elena, Damon breaks Jeremy’s neck. Elena is of course devastated as her brother falls to the ground, but soon notices the supernatural ring on his finger.
Stefan’s attitude is very different from his earlier “my brother is pure evil” mindset, for he says that Damon killed Jeremy because he saw the ring. Elena claims this isn’t true, so Stefan puts the blame on Katherine. Elena says that Damon has chosen to be hated because it’s easier, and he’s succeeded. Jeremy wakes from near death for the second time this episode, terrified and clutching at Elena.
In the hospital, Caroline wakes up to Katherine telling her to send the Salvatores a message: “Game on.” Snotty till the end, Caroline demands, “What message?” before Katherine smothers her with a pillow.

Why I Like 'The Vampire Diaries'

I thought the show would be worse than Twilight. Its setup is identical: a vampire falls in love with a high school girl. To my surprise, The Vampire Diaries kept me tuning in every week.

Our heroine Elena (Nina Dobrev) lives in the historic Virginia town Mystic Falls. Her parents recently died in a car crash, leaving her and her dope-head brother Jeremy (Steve McQueen) in the care of their young aunt Jenna (Sara Canning), a lovable pal but sucky guardian. Elena’s grief causes her to bond with the - unbeknownst to her - nice vampire stalker Stefan (Paul Wesley). Unfortunately, he has a vampire brother who is not so nice. Damon (Ian Somerhalder) enjoys making his brother’s life miserable and has no qualms about eating humans. He also notices that Elena looks exactly like their (yes, their) ex who lived more than a century ago.

Other cast members include Elena’s cute ex Matt (Zach Roerig), his a-hole best friend Tyler (Michael Trevino), and Tyler’s druggie girlfriend Vicki (Kayla Ewell). She is also Matt’s sister and Jeremy’s love. The town is incestuous. Then there are Elena’s best friends Bonnie (Katerina Graham) and Caroline (Candice Accola). Bonnie is sweet and supportive; Caroline is blond and bitchy.
It’s… Believable
For a cheesy show about gorgeous townsfolk and creatures of the night, it’s surprisingly realistic. (Note: I am used to television-hot actors not CW-hot. These people look like no one I've met.) The most initially stereotypical characters turn out to be some of the most complex.

It’s Funny
The Vampire Diaries doesn’t take itself too seriously. The heroine’s best friend matter-of-factly explains why she is psychic. They laugh at such a preposterous notion. (So does the audience, for other reasons, of course.) One vampire advises another: “You’re dead, dude. Get over it.”
It’s Surprising
Even though the series borrows heavily from previous vampire/teen stories, it follows its own path. It uses and plays with formulas. The pilot features Elena running through a foggy graveyard, complete with an ominous crow. It also quickly dissolves a budding love triangle cliché because a character actually acts sensibly.

It’s Consistent
They’ve done a darn good job with the vampire mythology. The explanations, including questions of vampire morality, have a basic logic. Not only that, but the tone, pacing, and character development are dependable. Unlike many shows, actions (usually) have consequences. Characters have motivations and don’t forget about what they did the previous week.
The vampire “look” is perhaps the best I’ve seen. When vamps get blood hungry they sprout fangs. Eyes become bloodshot and veiny. These immortal serial killers are scary twists on their human selves, beastlike and vicious.

The writing and acting are respectable. Nina Dobrev can be grating in a teenager-y way, but her Elena is an appealing character. Paul Wesley is somewhat one note, but he brings a wisdom and tenderness to the role of Stefan. That he manages to be less than creepy is a remarkable feat which alone elevates the show far above Twilight. Ian Somerhalder clearly relishes playing Damon, who is funny, flirtatious, and wicked, but perhaps not irredeemable.

Certain scenes are ridiculous and unintentionally hilarious, but the camp is part of the fun. Due to historical echoes, intertwining relationships, and flashbacks to the brothers’ vampire births, the show borders on epic. How can you not enjoy a show where vampires play high school football, embarrass history teachers, and attend Halloween parties dressed as – you guessed it – vampires?